That Which Is Not Seen Since I did not have the time to write out the story from the game posts, I began to post
the e-mail traffic from the game. I will convert these to HTML documents as I find time to do
so. Otherwise, they will be in Text format. Text files 10-30 were uploaded on November 19th,
1997. Files 31 on are marked with their upload date:
09-Turn Me On, Dead Man (HTML) Character Introductions
Brady
"Up again?" Scott asked.
"Need you ask?" Kelli replies as she starts up the ridge again.
I smile and follow her up.
(End of Brady's writing, beginning of GM's)
You get back up to the top of the climb after some time, and after a bit of a rest, you
are in position to rappel. You lean out over the side and begin your descent, slowly at
first, then with a quick push you drop rapidly, when you hear a strange, loud ratchet-like
"click-click-click". You slow your descent, then stop it, examining your equipment as your
feet find the wall. Something flashes, and you think you hear Kelli yell out, but the sound
is quickly lost. Your feet touch against the smooth side of the cliff when you realize just
*how* smooth. Unusually smooth. The cliffside you expected is not the cliffside that appears
beneath your feet. The wall is smooth, man-made, rounded, and painted with large (perhaps
8'-10') black diamonds. There is a sudden chill in the air, and you are shrouded in fog.
Above you, a light flashes again. You look up and see that it is not flashing, but rather
sweeping, spinning from a central point above you. In the distance, you hear waves crashing
against the shore. The ground is still about 40' below you at the base of this tower that
you are hanging from, and there are no trees nearby. You hear voices calling faintly from
below, but do not yet see any people. You contemplate your next action...
Brady's writing resumes:
Well, what I do is take out my flashlight and look around, (especially to see where the
rope ends and the ground, and what is holding the rope... if possible) and since the rope
doesn't reach the ground, and the wall is too smooth to make a second belay/rappel point on
I hook a prusek into my harness and one below it for my foot and head up the rope. (Being
seriously tired when reaching the top...)
Jeff
You showed up for the gig at about 8:45 when the stage manager rushes over to you to see if
you can go on right away. It's a medium-sized place, and people are waiting. The opener
didn't show up. He rushes you down to the front, jumps up on stage and announces you. You
get up on the stage, and turn around to face the audience. The first thing you notice is
that the lights are incredibly bright tonight, moreso than normal. You can't even see the
audience. Then, after a couple seconds, you hear some terrific white noise coming from the
speakers. It's really loud. Suddenly, the spotlights go out, leaving you standing in the
dark, but you still hear the speaker noise. You tap on the cordless microphone, but it
doesn't seem to be working. The "on" switch is on. The speaker noise wavers, as you notice
that the air is now very cold. "Must be standing under the AC vent." As your eyes adjust to
the darkness, and you find yourself staring out into the dark, you realize that what you were
hearing was not the noise of a speaker turned up too loud, it was the sound of the ocean. The
one you are standing in front of. There is a heavy fog making it difficult to see more than a
few hundred feet. A wave crashes up onto the beach near you. Realizing that if you don't
move, you'll get pretty wet, you turn and trot up the beach a few steps. After getting a safe
distance from the surf, you look up and see a lighthouse, almost directly in front of you.
There is someone hanging from the side of the lighthouse on a rope.
Marshall
This was last (non-typical) Wednesday. I wake up at 5:20 AM to the sounds of
PAR FM, your Cristian Connection. Five minutes later Alarm2 rings out, forcing me to actually
get up and turn it off. After the usual morning routine, plus putting on the ever-hated formal
clothing, Mom drives me to the Governor's School (for Science and Technology), barely making
it in time to board the bus to VA Tech for the VJAS (Virginia Junior Academy of Science)
meeting. My friends and I joke around, play cards, etc. until we arrive. Once there we spend
most of the day watching each other present our research papers. I am the next to last person
in my section (Physics) to present my paper and speak too quickly, leave things out, and
overall do better than I had expected. After a brief "where are we supposed to be" fiasco, we
all reboard the bus and head home, mostly resting this time. When the bus gets back at 6:00
PM, I get a ride home, change my clothes, and go for a six mile run, my last chance to prepare
for the Regional track meet two days later...
(End of Marshall's writing, beginning of GM's)
After getting on the bus, you feel a bit tired. Nobody seems to be saying much worth
listening to, so you close your eyes for a moment. You find yourself dreaming - you change
your clothes, start running, run through the neighborhood. You're running along when you
look around and see someone driving in a car, waving to you. In a flash, he gets a worried
expression on his face and grips the steering wheel in two hands. He stops short, tires
screeching. Then, you wake up suddenly, hearing tires screeching across the road. You
realize that it wasn't in the dream - the sound came from the bus as it came to a stop. You
see a light ahead - maybe a motorcycle - heading straight for the bus window. Your mind seems
to be reacting slowly from you just waking up. The motorcycle crashes through the front
window of the bus and goes straight down the bus aisle at you. In the back of your mind, you
register the fact that the bus window was not damaged as the light passed through. Your
muscles freeze up, and you stare at the light as it nears you. You brace for impact, hoping
and praying you survive. Your eyes are closed, your teeth are clenched, your hands are
gripping the seat. When you feel no impact, you relax and open your eyes. With nothing
supporting your weight, you fall backwards into the sand. You find yourself sitting in the
sand at the bottom of a lighthouse. In front of you, you see people walking towards you.
You hear some kind of clinking sound coming from the other side of the lighthouse. There is
a heavy fog across the land, so you find that you can only see a few hundred feet. You hear
the sounds of the ocean crashing against the shoreline in the distance. In a few moments,
when the adrenaline wears off, you notice that the air is quite cool.
Resume Marshall's writing...
I stand up and look around as I brush the sand off myself. I look over at the people and
try to discern whether or not there's anything unusual about them. Finally, deciding there's
not much else I can do, walk up to the nearest one and say, "(um) Excuse me, but I'm a little
lost. Could you tell me where this is?"
Saif
Friday, the 16th of May, 11:00 AM.
I walk out of my Physiology class, fairly pleased with myself. That test went much better
than I thought it would. In and out in less than a half hour. I cut across campus, stopping
by the Pre-Med advisor's office to make sure my wife and I are still signed up for the Honor
Society's dinner next Wednesday. Then I make my way over to the library. I search around
for an empty stall to study in. Hum. Looks like a whole lot of students have exams today.
Almost all the stalls are filled. But I eventually find one and sit down, pulling out my
Genetics book. OK, deletion mapping - sample problems. "You isolate three his- mutants in a
strain of E. Coli. You perform a recombination test cross and get the following results..."
(End of Saif's writing, beginning of GM's)
You get into your Genetics book and begin reading. You look over the solution to the first
sample problem, then begin working on the second, when you hear a bit of a commotion in the
library - people are murmuring, talking and pointing at something. You can't see what they
are referring to from your vantage point, so you get up from your seat, book in hand. As you
round a corner of a row of books, you look ahead and see a bright white light headed straight
for you moving very fast. You hold your book out in front of you like a shield, or a priest
presenting his holy symbol, but the light bursts through it and hits you in the chest. You
recoil, but feel no impact. You take a couple steps backwards, hoping that the softness you
are stepping on isn't someone's body. Then you realize that what you are backing up through
is sand. White beach sand. You take an additional step backwards and bump against a wall.
You turn around and see that you have backed into a white house. You are still holding your
Genetics book. The air is cool and foggy. In the distance, you hear the sound of the ocean
crashing against the beach. You see a light sweep across the sky above you. Turning the
corner of the house to investigate, you find a lighthouse just ahead. You see someone sitting
on the ground at the base of the lighthouse. Someone else is walking across the sand to the
right of you.
Dana
Dana's was another intro that I had the beginning writing for...
It's been a pretty quiet day in Alameda East Vet Hospital. It's usually like that on
Sunday. You are working with the animals in ICU, administering their usual medicine. It's
been somewhat cold, so you have your sweatshirt on. As you come to the middle cage on the
bottom row, "McHenry" (a big ol' St. Bernard), you look in the cage and see him lying on his
side. He doesn't seem to be breathing. Looking more closely, you notice that his tongue is
blue! You yell over to your supervisor, who runs over to the cage and opens it up. Another
intern is here to help, too. Between you and the other intern, you pull McHenry out of the
cage and lay him on one of the floor mats. The supervisor checks his mouth, but doesn't see
anything. She goes to get one of the doctors - she could see Dr. Fitzgerald through the
window in the door to the room. He comes in and after a quick look, tells you to draw up
Atropine, and says something to the other intern that you didn't quite hear. You reach the
atropine, and find a syringe. As you turn around, you walk directly into one of the surgery
lights (someone seems to have left it in the middle of the room). The light was turned on.
It bounces off your skull with a metallic *thunk*. Momentarily dazed, you blink your eyes a
couple times and shake your head, wondering who would have turned the light on. Heck, what
was it doing in the middle of the room? "Didn't know we kept a portable light out here..."
As the stars fade from your vision and a small lump rises on the top of your head, you look
around you, with the intention of navigating *around* the surgery light, and stop short,
standing at the end of a dock, looking out over dark water lapping up on the beach around you
on either side. To your left is a half-sunken boat. To your right is a mooring for another
boat, but no boat on this side. Looking around, bottle in one hand and syringe in the other,
you see a rock jetty to your right, and beyond it, a sandy beach. The beach cuts in here
where the dock is. Continuing your scan of the area, further up on the beach you find a
lighthouse, throwing its light into the thick fog that until now, you hadn't noticed. Once
the light from the top of the lighthouse passes where you are standing, you notice that you
hear voices from the lighthouse. Then, you see someone hanging from a rope on the side of
the lighthouse tower. Below him is another person. You seem to think you recognize the
person on the tower... It's Brady! You are momentarily thankful that the hospital was a bit
cool, since the air around you now is even cooler, but tolerable with your sweatshirt on.
But of course, there is still the question of "how did I get here?"
Cassandra
I don't remember exactly how long ago this was, when I was at a friend's house.
I get stuck at his house often, because I don't drive (yet) and often he makes excuses to not
take me home immediately. He used to ask me out all the time, even though I always said no to
him. He knows I'm engaged now, but he still lays guilt trips on me if I don't spend time with
him. I sometimes have a hard time saying no to people like that. But this night I was
standing outside his house, and he was still indoors. All I was doing was watching the skies.
There was a Lunar eclipse that night, on one end of the sky, and on the other end was the
Hale-Bopp comet. It's the first comet I've ever actually had the time to see. I just stood
out there for at least an hour or so, alone, watching the sky.
(End of Cassandra's writing, beginning of GM's - This took place on March 23, 1997)
With the eclipse on one side of the heavens, and the comet on the other, you enjoy staring
at the skies for a long time. Then, as you are "staring off into space" in a literal sense, a
moving light in the sky catches your eye. It seems to be growing, though it is not much larger
than the stars appear to be. "It must be some sort of meteor", you muse. It also seems to be
falling directly at you. You stand up slowly, unsure of the course of this strange light. It
grows in your vision and is definitely hurtling straight towards you. Your mind reels... your
body freezes... The light falls directly at you. It must have been much closer than you had
originally thought. You feel you are in danger, but for some reason, you can't get your legs
to move. The white ball is only a few hundred feet from you in the sky, but now, it seems to
be slowing. Your fear almost forgotten, your curiosity leaps to the fore. The ball stops
about 3 feet in front of you. You tentatively reach out to it when it pulses and flashes once,
very brightly. Then, it is gone. You take a half-step towards the place where the light was,
and your foot sinks into sand. Looking around, feeling as if you had just awakened from a
dream, you realize that there is a lot of fog, and the air is cool. Over your left shoulder,
another light catches your eye. Remembering the light that was just in front of you, you spin
to look in that direction, and can barely make out the form of a lighthouse in the gloom, its
light searching the fog for something it will never find. You hear the ocean nearby, waves
crashing on the shore. You are standing on a sandy beach on a foggy night. You see dune
grass to the left of the lighthouse, and a small, white house beyond that. The beach seems to
stretch on into the fog. You distinctly hear a voice from the lighthouse, a man's voice.
Greg
Arriving at the park, I find a parking spot in the main lot, but toward the outer trails.
The inner trails are too crowded and don't have the feel I like to them. I grab the canteen,
stick my finger around the plastic loop and cross the street to one of the outer trails. I
look at the little sign that says there's a plague warning for the area and not to touch any
animals, living or dead along the paths.
I head uphill. If I go this way, I'll make it to a formation called the Siamese Twins that
I like. I don't take my watch with me, just head out. The path is a little narrower than I
remember, and in a couple places brush is overgrowing the main trail. Seems odd that they
wouldn't cut that back if they were concerned about fleas carrying the plague. I stop every
little while and take a drink of water. I'm not used to the altitude (6500 feet), or the
dryness of the air again, having just returned from North Carolina, so I take the trail a
little slower than usual. In another month I'll be able to jog the trail (at my normal slow
pace), and I need to build my endurance back up if I want to make the hike up Pike's Peak
later this summer.
A couple of times, small creatures scurry around in the underbrush, but aside from taking
in the sound, I ignore them. The light green shows that it is still springtime, although the
sun is intense at the altitude, making what is actually 75 degrees feel more like 85. By the
time I reach the 'Twins, I'm tired, and sit down on a rock in the shade taking in more of the
water.
After sitting for a few minutes looking at the rock formations, I look at the canteen. I
haven't used it much in the past 6 months, so the water is getting bitter toward the bottom.
When I head back, I'll cut across the road to the inner trails. It'll save me about 15
minutes, and it's an easier trail...
(End of Greg's writing, beginning of GM's)
You open your canteen to take a swallow of water, and as you tilt your head back a bit,
you hear an odd whistling, rushing-air sound. You open your eyes quickly to see what it was,
but find that you were looking directly at the sun. Closing your eyes again, and berating
yourself somewhat, you think to yourself, "wasn't the sun in the other direction?" You open
your eyes again to look around and get your bearings, and wonder exactly how long you had been
staring at the sun -- you can't see a thing! Where did the trees go? Where are those huge
reddish rocks? You feel something brush lightly against your leg when a slight breeze picks
up. You look down and find that you are standing in white sand, among dune grass. One of
the long blades was tickling your leg. "Aren't the sand dunes further south?" you wonder.
"The guys at the Trading Post didn't tell me about this." It is dark and the air feels very
cool. At first, the coolness is welcome, but it begins to feel cold very quickly. The land
around you is covered in fog. You look in the direction you thought you would find the sun,
and see a light in the sky. Looking more closely, you recognize a lighthouse. Scanning the
area, you see someone walking on the beach, towards the lighthouse. Just left of the
lighthouse, and a little closer to you is a small white house. No lights are on inside. In
fact, the only light you see is coming from the lighthouse. As it diffuses through the fog,
it illuminates the area, giving you more than enough light to get around, now that your eyes
have adjusted.
Greg's writing resumes:
"Lighthouse," I say to myself.
I continue to walk along the dunes toward the lighthouse. There's something odd here. As
it gets cooler, I put the t-shirt back on, then the green flannel shirt, and finally the grey
Western Illinois University sweatshirt, wishing I'd decided to hike with jeans instead of the
hiking shorts. Then again, I wasn't often in need of jeans in 80 degree Colorado afternoons.
I suppose I should head down to the lighthouse, and try to find out what's happening. After
all, there just aren't many of them in central Colorado. I think about trying to avoid the
notice of whomever that is walking toward the lighthouse, but don't want to go toward the fog
to try to cover myself.
Screwing the cap tightly onto the canteen, I walk down toward the beach and to the more
solid surf-pounded sand, then head up toward the lighthouse, stopping to knock on the door of
the little house before knocking on the door of the lighthouse. If there is no answer at the
lighthouse, I'll still open the door and climb the stairs to the chamber with the light.
John
The date is September 26, 1996. My place of employment is having its company
outing on a boat on the Mississippi River, and I am sitting alone in the lower section of the
cabin staring out the window. Everyone else is either on deck or upstairs playing bingo. I
have been struggling for perhaps half an hour trying to plan the next scenario for my D&D
campaign (it is to involve the Druidic Cabal), but I'm not getting anywhere.
I look up from my pad and see a flock of white birds -- it is too far away to tell what
kind -- take off from the trees into the grey sky. A melody begins to turn in my head, and
I lament the lack of a piano or keyboard on board. However, I can still get some lyrics on
paper...
(End of John's writing, beginning of GM's)
As you are sitting alone, staring out the window, you see a flock of white birds take off
from the trees into the sky. Your eye follows them for a while. Then, out of the corner of
your eye, you notice another bird flying towards the window you are looking through. You
look over in that direction, and find that what you thought was a bird must be some sort of
metallic object, reflecting the sun. You realize that in the greyness of the day, that can't
be possible. It must be some kind of a light. It seems to be headed straight for the boat!
You hear people upstairs shuffling around, then a woman screams as the light nears. It is
still headed straight for the window where you are sitting. You look at it, pen in hand, and
it stops a few feet from you. You realize then, that you are leaning back in your chair. You
glance down for a moment and right the chair again. When you look up, the light is gone. You
find yourself looking out the window at a day much darker than it was just moments before.
There is a heavy fog rolling across the ground just outside the window. "Waitaminute..." You
stand to take in your surroundings, and find yourself in the bedroom of a one-story house,
sitting at a writing desk. On the desk is your pad. Out the window to your left, you can see
the base of a large tower. As you near the window, you recognize the tower as a lighthouse.
Navigating your way through the house, you find yourself outside, standing on sandy ground.
In front of you are sand dunes and to your left, you hear the sound of the ocean crashing
against the beach. As you walk around the house to the left, you see the lighthouse behind
the house, and there is a man walking on the dunes towards you. Someone else is walking on
the beach towards the lighthouse. Looks like a woman.
Resume John's writing...
I take a quick survey of myself to ensure I am in good physical health. I wait until the
man reaches me. If I saw anything within the house which I would take to indicate that it
belongs to me, I will wait until the man reaches me, then ask who he is and whether I might
be able to assist him in any way. Otherwise, I will ask if this house is his. If he does not
approach me directly, I will head toward the lighthouse with the intent to explore it.
Perhaps I might find some clue to where I am and how I arrived here.
Continue to "The Characters Meet Each Other"
A Bamf PBeM Game
Table of Contents
Character Introductions
The Characters Meet Each Other
The Day Begins
The First Night
The Ship Returns
What happened to the Trio
10-Decisions and Blades (Text)
11-Off the sandbar, into the drink (Text)
12-A crabby start to the
night (Text)
13-The four leaves of darkness (Text)
14-You learn something new every day (Text)
15-With Open Arms... (Text)
16-Rest easy (Text)
17-Help! I'm being repressed! (Text)
18-Getting tired late at night (Text)
19-Time to get ready for our next gig (Text)
20-Have you ever been wassailing? (Text)
21-Camping...Waiting.../In Town (Text)
22-Not out of the woods yet/Baker's thoughts and words (Text)
23-Out of the woods, but where did it get you?/The Parade (Text)
24-Rotting in a ?German? jail?/Wandering (Text)
25-Visitors/A place to stay (Text)
26-A day on the town (Text)
27-Genesis (Text)
28-Face Value (Text)
29-Conversation with Steve (Text)
30-Revelation (Text)
30-John joins the game Added 12/4/97 (Text)
31-A friend in need... Added 12/4/97 (Text)
32-...is a friend indeed Added 12/4/97 (Text)
33-"Eureka" he yelled! Added 2/24/98 (Text)
"It was about midnight, it was the day after the
full moon and the sky was as bright as day. I was just bounding into the full spider drop on
the 80 ft. rappel as I stopped to adjust the harness slightly. It had been a good climb to the
top. Trying out the new route and lead roping up a 5.9 at night was a major rush. I am so
glad Kelli climbs now, she and Scott are both waiting at the bottom. I drop at a rapid pace
hitting the ground softly with a smile on my face from the rush of the wind as I rappelled."
Jeff's intro letter to me seems to have been lost. He
mentioned that he is a stand-up comedian, so...
I drive out to Garden of the Gods (a local park, like a state park, but
maintained by the city of Colorado Springs), looking over at the view of the rock formations
standing out like monuments to a lost religion. Scanning the passenger seat I see the canteen
I filled with water, but there's no sunscreen. Hate when I figure the little details.